tag:blogger.com,1999:blog-75721393976915619852024-03-13T19:37:48.673+01:00TREIZE/ new website : www.treize.site / this blog is an archiveUnknownnoreply@blogger.comBlogger76125tag:blogger.com,1999:blog-7572139397691561985.post-91317637940569111562015-09-29T17:52:00.000+02:002015-09-29T02:56:54.501+02:00Just a little glass of water
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: x-small;"><b><span class="il">JUST A LITTLE GLASS OF WATER</span><span class="il"></span>
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<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: x-small;"><span style="font-size: x-small;">An
exhibition by Sean Edwards</span></span></span><br />
<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: x-small;"><span style="font-size: x-small;"> </span><b><span style="font-size: x-small;"><span lang="en-US"><br /></span></span></b></span></span><br />
<span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: x-small;"><span lang="en-US">09.17-10.15.2015</span><br />Hours: Wednesnay - Saturday, 15:00 - 19:00 or by appointment<br /><br /><br />The title '<span class="il">Just</span> a <span class="il">little</span> <span class="il">glass</span> of
<span class="il">water</span>' refers to an unreleased recording of a Bob Dylan song from
1966. The story goes that 12 hours were spent recording 19 different
takes of the song. Take 1, a solo piano draft, can still be found on
You Tube if you search dylan+shesyourlovernow+<wbr></wbr>soloatpiano but it is
take 19 that eventually was released as an official bootleg twenty
five years later. A still unfinished take that ends abruptly. A song
crafted and honed, clearly considered worthy of spending time on, but
ultimately left unresolved.<br /><br />With a sculptural work exploring the
potential of found objects, Sean Edwards (born in Cardiff in 1980) is
interested in the use of forms. Treize, both an exhibition and a
production space hosting music concerts, will serve as a platform for
an installation addressing the possibility of a portable
studio.<br /><br />Curated by Florencia
Cherñajovsky<span lang="en-US"><u><br /><br /><br /><br />Events during the
exhibition</u></span>:<br /><br />09.18 Release party
label Bruit Direct - Kitchen's Floor's new album<br /><a href="https://www.facebook.com/events/516557651833789/" target="_blank">https://www.facebook.com/<wbr></wbr>events/516557651833789/</a><br /><br />09.23 LE NON_JAZZ
gig with Max Eilbacher, Travis Kerschen, Discombobulatrix, Sauv@ge
Merguez/feat. Ravi Shardja, Balwan<br /><a href="https://www.facebook.com/events/921154207975248/" target="_blank">https://www.facebook.com/<wbr></wbr>events/921154207975248/</a><br /><br />10.10 Live performance with C
Spencer Yeh & James Hoff<br /><br />10.14 LICET - Lecture with
Antoine Dufeu & Fabien Vallos</span></span>Gallienhttp://www.blogger.com/profile/02406032169140345589noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-70257585675535739742015-09-23T19:30:00.000+02:002015-09-27T14:00:29.252+02:00Le Non_Jazz#2309<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSaYAHAV3kFJBt7vYJXWXFV5uyAkQp1_xAigNgOPS7cCgU9RedcD5ezPfKT2rpfdbUc9nZOPRTjnpyzokF76Y_DWsUGYCIZbtmZDc-tPCy_qY0oz4DcK_Ud2sii30xy873pCw8jJEk91zL/s1600/nonjazz+2309.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSaYAHAV3kFJBt7vYJXWXFV5uyAkQp1_xAigNgOPS7cCgU9RedcD5ezPfKT2rpfdbUc9nZOPRTjnpyzokF76Y_DWsUGYCIZbtmZDc-tPCy_qY0oz4DcK_Ud2sii30xy873pCw8jJEk91zL/s400/nonjazz+2309.jpg" width="400" /></a></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl">Le Non_Jazz#2309<br /> <br /> MAX EILBACHER/us<br /> TRAVIS KERSCHEN/us<br /> DISCOMBOBULATRIX/ro<br /> SAUV@GE MERGUEZ /feat. Ravi Shardja /fr<br /> BAŁWAN/pl/fr<br /> <br /> - - - - - mercredi 23-09-2015 - - - - -<span class="text_exposed_show"><br /> <br /> 19h30 ( ! )</span></span></span></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl"><span class="text_exposed_show">https://www.facebook.com/events/921154207975248/ </span></span></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-59350430951161256312015-09-12T20:00:00.000+02:002015-09-14T14:17:26.856+02:00Kitchen's Floor Release Party avec Junior Makhno et Calcutta Desert<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwSeUT8-NZ8KD9Q_TCQp4zKefDBAZdO83wwiu98RxO9De6ViCO6UhV_djdhzIyF6vzxULO1vbHBgUVzfF4SHhSQuE-j8DLlcw6InJNTZHLG8lZdzNiwnVyqNI6EdmMass-RSIDQr7v1_g/s1600/Kitchen%2527s+Floor.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="145" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwSeUT8-NZ8KD9Q_TCQp4zKefDBAZdO83wwiu98RxO9De6ViCO6UhV_djdhzIyF6vzxULO1vbHBgUVzfF4SHhSQuE-j8DLlcw6InJNTZHLG8lZdzNiwnVyqNI6EdmMass-RSIDQr7v1_g/s400/Kitchen%2527s+Floor.jpg" width="400" /></a></div>
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<span class="fsl">BRUIT DIRECT DISQUES présente </span><br />
<span class="fsl">"BATTLE OF BRISBANE" </span><br />
<span class="fsl">le
nouveau disque de KITCHEN'S FLOOR</span><br />
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<u><span class="fsl">Lives</span></u><br />
<span class="fsl">Kitchen's Floor (solo)</span><br />
<span class="fsl">Calcutta Desert </span><br />
<span class="fsl">Junior Makhno</span><br />
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<span class="fsl">18 sept. 2015 </span><br />
<span class="fsl">20:00 </span>Gallienhttp://www.blogger.com/profile/02406032169140345589noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-78879135254219280982015-09-05T19:09:00.000+02:002015-09-09T19:09:34.153+02:00Release Party Cassette // Poliment Records<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL6FxNFhqRKGbL6GQrHm27BEHz5BqBKVo7_mD0fl2Ry1MAuRCBY10L0g1PAbOEHBTdROAmNZDISvMAZbIe1FH0ZmrwfIkXiZCaaGEUT0QwSB5P-aZZIUEWWWXaSpNTazTJa3e8GbCezrU/s1600/poliment+records.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL6FxNFhqRKGbL6GQrHm27BEHz5BqBKVo7_mD0fl2Ry1MAuRCBY10L0g1PAbOEHBTdROAmNZDISvMAZbIe1FH0ZmrwfIkXiZCaaGEUT0QwSB5P-aZZIUEWWWXaSpNTazTJa3e8GbCezrU/s640/poliment+records.jpg" width="452" /></a></div>
<br />Gallienhttp://www.blogger.com/profile/02406032169140345589noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-14132958889467060282015-07-18T15:23:00.000+02:002015-07-18T15:23:14.053+02:00Ambient Speed Reading with Tan Lin <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHXgSbYwP8OPA2-A8dc2-OQ8ua1R9yYEIIjVXJXNNy2CIVUj1IdTuzNpr_xnnZr0nphBHtmxNGmWmwnCAui4suF3glRpZer2NwXK0aUYWDp_W5MW-iIuE1JBtQF7wuYM-EpSJ5U-ovfKU/s1600/image+%25C3%25A9cran.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHXgSbYwP8OPA2-A8dc2-OQ8ua1R9yYEIIjVXJXNNy2CIVUj1IdTuzNpr_xnnZr0nphBHtmxNGmWmwnCAui4suF3glRpZer2NwXK0aUYWDp_W5MW-iIuE1JBtQF7wuYM-EpSJ5U-ovfKU/s1600/image+%25C3%25A9cran.jpg" /></a></div>
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<span style="color: black;"><span><b>Ambient Speed Reading with Tan Lin </b><br />Projection et conversation<br /><br />lundi 20 juillet 2015 à 19h30<br /><br /><br /><br />Selon certaines biographies, Tan Lin est simultanément écrivain, artiste et critique. Mais il est avant tout poète. <br />Au
fil de son œuvre, la poésie, loin de se cantonner à un domaine
spécifique – celui des Lettres –, est au contraire une forme
transitoire, temporelle, qui se diffuse entre les genres, les arts, les
médiums et les époques. Voici pourquoi nous voulions inviter Tan Lin à
organiser une exposition à Treize en 2016.<br /></span>Pour les
vacances, Tan Lin a décidé de quitter son appartement de Manhattan pour
visiter la France. En préfiguration de l'exposition prévue au printemps
prochain, nous profitons de l'occasion pour organiser à l'improviste une
présentation de quelques-unes de ses vidéos (parmi lesquelles <i>Eleven Minute Painting</i>, <i>Ph.D Sound</i>, <i>Mastering the Art of French Cooking</i>).
Nous espérons que cette séance sera l'occasion de parler tous ensemble
de poésie, de l'exposition à venir, et peut-être de gastronomie, au
détour d'une conversation que Tan Lin souhaite « informal and fun
though, for the summer! »<span><br /><br />Gallien & Pierre<br /><br />----<br /><br />Tan Lin est l'auteur d'une trentaine d'ouvrages, dont <i>Heath Course Pak</i>, <i>Insomnia and the Aunt</i> ou<i> 7 Controlled Vocabularies and Obituary 2004. The Joy of Cooking</i>.
Ses travaux (vidéos, performances, etc.) ont été présentés à Artists
Space, au Yale Museum, à l'Ontological Hysterical Theatre, au New Museum
et dans le programme Soundcheck Series du Whitney Museum. Il enseigne
le <i>creative writing</i> à l'Université du New Jersey. Il est titulaire d'un doctorat de l'Université de Columbia.<br /></span></span><span><br /><span style="color: #0f61c8;"><br /></span><span style="color: #999999;">------<br /><br /><br /><b>Ambient Speed Reading with Tan Lin </b><br />Screening and chit-chat<br /><br />July 20, 2015 - 7:00 pm<br /><br /><br />According
to certain biographies, Tan Lin is a writer, artist, and critic. But he
is first and foremost a poet. Throughout his work, poetry, far from
being confined to a specific realm – that of Literature – is rather a
transitory and temporal form which diffuses itself through different
genres, arts, mediums, and periods. This is why we would like to invite
Tan Lin to make an exhibition at Treize in 2016.<br /><br />For his
holidays, Tan Lin has left his Manhattan apartment to visit France. As a
prelude to his exhibition scheduled for next Spring, we would like to
take this opportunity to show some of his videos (among them <i>Eleven Minute Painting</i>, <i>Ph.D Sound</i>, <i>Mastering the Art of French Cooking</i>).
We hope that this projection will be an opportunity for all of us to
discuss poetry, his coming exhibition, and perhaps also gastronomy, by
means of a conversation that Tan Lin wishes to be "informal and fun
though, for the summer!"<br /><br />Gallien & Pierre<br /><br />---<br /><br />Tan Lin is the author of over thirteen books, including <i>Heath Course Pak</i>, <i>Insomnia and the Aunt</i>, <i>7 Controlled Vocabularies and Obituary 2004. The Joy of Cooking.</i>
His video, theatrical and LCD work have been shown at Artists Space,
the Yale Art Museum, Ontological Hysterical Theatre, The New Museum, and
as part of the Whitney Museum of American Art’s Soundcheck Series. He
teaches creative writing at New Jersey City University. He received a
Ph.D from Columbia University.<br /></span><div style="word-wrap: break-word;">
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<br />Gallienhttp://www.blogger.com/profile/02406032169140345589noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-57941460845307202182015-06-12T23:22:00.000+02:002015-06-11T23:26:19.485+02:00Des Gachons<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhOL4E8NpjnVpPGdoRtyaRKE5afv2mltrBCXnWe94zBG965Nw3uDB27lv-QhRyS-xgf4UtOSdmHyAIri_yKy18ekmZJh8gpjajSYG51eZnNl9-klfDyuhTtLZdTh_J57m0ZNW6Uj50ihIY/s1600/CARTON_IMPRIM+-+copie.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhOL4E8NpjnVpPGdoRtyaRKE5afv2mltrBCXnWe94zBG965Nw3uDB27lv-QhRyS-xgf4UtOSdmHyAIri_yKy18ekmZJh8gpjajSYG51eZnNl9-klfDyuhTtLZdTh_J57m0ZNW6Uj50ihIY/s640/CARTON_IMPRIM+-+copie.jpg" width="466" /></a></div>
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</span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-69111703749990281622015-05-27T14:55:00.004+02:002015-05-29T14:49:20.117+02:00Full-time Sofa 5, 6 et 7 Juin 2015<div class="separator" style="clear: both; text-align: center;">
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<i>Full-time Sofa</i></div>
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<i>5, 6 et 7 Juin 2015</i></div>
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<i>"Full-time Sofa</i> compose un espace d’exposition en réunissant plusieurs entités distinctes par superposition : Deborah Bowmann, le collectif Around Function <i>+ Guest</i> Schnell Records, Ailsa Cavers, Indiana, Z.B. AIDS et SDZ records pendant soixante-douze heures au sein de Treize.</div>
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<i>Full-time Sofa</i> repose sur, ou présuppose, une compatibilité, une disposition d’esprit, rendue sensible par ses différents participants. Des concessions préalables, des circonstances troubles entendues comme un point de départ propices aux divagations. Pas d’objets distincts mais un chevauchement, une combinaison de propositions déjà tiraillées par les activités plurielles du lieu, un arrangement possible à trouver entre exposition et <i>Live machine </i>envahissant, performance et dj set (...)"</div>
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Anonymoushttp://www.blogger.com/profile/13164272692400305643noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-55292717747906893702015-05-11T12:45:00.001+02:002015-05-11T16:00:02.301+02:00 ‘Sweating as Distribution’. Une exposition du commissariat. Lætitia Paviani & Camilla Wills. <span style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8000001907349px;"></span><span style="background-color: white; color: black; font-family: arial, helvetica, sans-serif; font-size: x-small;">Vernissage </span><span style="background-color: white; color: #222222; font-family: arial, helvetica, sans-serif; font-size: x-small;">le samedi 18 avril, à 18h</span><span style="background-color: white; color: black; font-family: arial, helvetica, sans-serif; font-size: x-small;">.</span><br />
<span style="color: #222222; font-family: arial, helvetica, sans-serif; font-size: 12.8000001907349px;"><span style="font-size: x-small;"><span style="color: #222222;">Du 19 avril au 16 mai 2015</span><span style="color: black;">.</span><span style="color: black;">Ouvert mercredi, jeudi, vendredi, samedi, de 14h </span></span></span><span style="font-family: arial, helvetica, sans-serif; font-size: x-small;">à 18h.</span><span style="color: #222222; font-family: arial, helvetica, sans-serif; font-size: 12.8000001907349px;"><span style="font-size: x-small;"><span style="color: black;"><br /></span></span></span><br />
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<span style="color: black; font-family: arial, helvetica, sans-serif; font-size: x-small;">L’espace de </span><span class="il" style="color: black; font-family: arial, helvetica, sans-serif; font-size: x-small;">Treize</span><span style="color: black; font-family: arial, helvetica, sans-serif; font-size: x-small;"> a été repensé comme un cadre de "vie de famille" pour présenter BABY DOC.</span></div>
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<span style="font-family: arial, helvetica, sans-serif;"><span style="font-size: x-small;"><span style="color: black;"><br /></span><span style="color: black;"><i>BABY DOC est un journal qui grandit à chaque nouveau numéro. Mais on dit que grandir n’est jamais facile.</i></span><span style="color: black;"><br /><br />Dans ce nouvel espace, une chambre parentale, une chambre d’enfant et un étroit couloir moite, deviennent les témoins des transpirations, des fuites et des échanges de cette vi</span></span></span><span style="color: black; font-family: arial, helvetica, sans-serif; font-size: x-small;">e sous pression. </span><span class="il" style="color: black; font-family: arial, helvetica, sans-serif; font-size: x-small;">Sweating</span><span style="color: black; font-family: arial, helvetica, sans-serif; font-size: x-small;"> as </span><span class="il" style="color: black; font-family: arial, helvetica, sans-serif; font-size: x-small;">distribution</span><span style="color: black; font-family: arial, helvetica, sans-serif; font-size: x-small;">. Avoir le cœur qui bat, le cerveau qui bout, être à court de souffle, jongler avec l’argent, et puis alors, dans l'excès des mélanges, engendrer un projet. Une fois les chocs et les fantaisies révélés, tous les sexes confondus et les étranglements relâchés, les premières traces d’une sorte de “stress archive’ sont dispersées au sol, tandis que BABY DOC est dans son lit.</span></div>
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<span style="font-family: arial, helvetica, sans-serif;"><span style="font-size: x-small;"><span style="color: black;"><br />Au fil du temps BABY DOC grossira, nourrit de commentaires et d'expériences, de la mémoire et de la régénération de ses propres ressources. BABY DOC sera toujours le même BABY DOC mais il évoluera. Chaque nouvelle forme s'annoncera par un nouveau prix comme un nouvel âge.<br /><br /><b>BABY DOC 2€</b> c'est un extrait d'une pièce de théâtre de <b>Stephen Adly Guirguis</b>, un email poli de <b>Morgan Courtois</b>, une histoire de <b>Margaret Drabble</b> racontée par <b>Ursula K Leguin</b> dans l'un de ses essais, une très récente et très courte histoire de <b>Lynne Tillman</b>, une interview de Mayo Thompson et Tom Watson du groupe <b>Red Krayola</b> par <b>Julien Bécourt</b>, un écrit de <b>Rachel Koolen</b> et le début de l'ontologie de l'accident par <b>Catherine Malabou</b>. Avec des images. Édité par <b>Lætitia Paviani & Camilla Wills</b>.</span></span></span></div>
<span style="background-color: white; color: #222222; font-family: arial, helvetica, sans-serif; font-size: 12.8000001907349px;"><span style="font-size: x-small;"></span></span><br style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8000001907349px;" />
<span style="background-color: white; color: #222222; font-family: arial, helvetica, sans-serif; font-size: 12.8000001907349px;"></span><span style="background-color: white; color: #222222; font-family: arial, helvetica, sans-serif; font-size: 12.8000001907349px;"><span style="font-size: x-small;"><span style="color: #222222;">Le cadre de "vie de famille" présenté à <span class="il">Treize</span> est composé des œuvres de <b>Kerstin Brätsch & Debo Eilers (KAYA), Morgan Courtois, Christophe Hamaide Pierson, Anne Speier</b> et <b>Maija Timonen</b>.</span></span></span><br />
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<span style="font-size: x-small;"><span style="color: black;"><br /></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-42473789588210258482015-04-06T22:48:00.003+02:002015-04-06T22:50:03.552+02:00Lundi 13 avril 2015 à 19h - Lancement revue Initiales A.F.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwKGpjZDTYlsBv4_LeINFFl9r1J3RdIk1mrZDu88r_llpMzA1t12vc02p_Lj0vPKXGUWHu1wvhCrSKPXNJuW9dQvJjXSR27tQAx_3Bn4MPQxwolrraIZVagSxPeeU8NBjNsxNds7h7Dt7R/s1600/AF.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwKGpjZDTYlsBv4_LeINFFl9r1J3RdIk1mrZDu88r_llpMzA1t12vc02p_Lj0vPKXGUWHu1wvhCrSKPXNJuW9dQvJjXSR27tQAx_3Bn4MPQxwolrraIZVagSxPeeU8NBjNsxNds7h7Dt7R/s1600/AF.png" height="320" width="243" /></a></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl">Lancement de la revue INITIALES N°5 - INITIALES A.F. - Andrea FRASER<br />
en présence de Emmanuel Tibloux, Claire Moulène ainsi que Olivier Le Brun, Alice Perrine & Manon Bruet.<br /> Lundi 13 avril 2015 à 19h</span></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl"><br />
Après George Maciunas, John Baldessari, Marguerite Duras et la
communauté du Monte Verità, la revue d’art et de recherche «
rétro-prospective » Initiales s’intéresse à une figure clé de l’art des
années 90 et 2000, l’artiste et performer Andrea Fraser.<br /> Porte parole d’une critique institutionnelle « deuxième génération », qui après les travaux menés par Daniel Buren, Hans Haacke<span class="text_exposed_show">
ou Michael Asher a élargi la réflexion à d’autres espaces et acteurs
institutionnels, ainsi qu’à des méthodologies empruntées à d’autres
champs, Andrea Fraser fait aussi partie de ceux qui, au tournant des
années 2000, s’est interrogée sur la réconciliation entre la question
des affects, du sujet, et celle de l’institution.</span></span></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl"><span class="text_exposed_show">infos : </span></span></span></span><br /><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl"><span class="text_exposed_show"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl"><span class="text_exposed_show"><a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.revueinitiales.com%2F&h=tAQFIPgcX&enc=AZPGfFMBWJyV2BVPkkXS3X66AWVY-4LNNg66W0TOXguMUukqKvk4eAV5W0q9KVtmRP4&s=1" rel="nofollow nofollow" target="_blank">http://<wbr></wbr>www.revueinitiales.com/</a></span></span></span></span></span></span></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl"><span class="text_exposed_show"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl"><span class="text_exposed_show"> </span></span></span></span> <br /> Initiales est en vente en librairie et auprès des Presses réel.</span></span></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl"><span class="text_exposed_show">Revue produite et éditée par l’École nationale supérieure des beaux-arts (ENSBA) de Lyon </span></span></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl"><span class="text_exposed_show"><a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.revueinitiales.com%2F&h=tAQFIPgcX&enc=AZPGfFMBWJyV2BVPkkXS3X66AWVY-4LNNg66W0TOXguMUukqKvk4eAV5W0q9KVtmRP4&s=1" rel="nofollow nofollow" target="_blank"><br /></a></span></span></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-16091283257648276382015-03-25T01:01:00.001+01:002015-03-25T01:01:52.791+01:00"Brekekex" / ENSBA Lyon à Treize<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinCs2d6e6INHPlN-OjibCncDQjClFfoaNxMbc5UpMJS8MbvHBmUmI9KLFMVrVit0WDlsPhFHRenGGbWJv3zlR8ukCiPIXfiQbbAEFauQ5kNC6tnOvD045_UMZNZ0GZ823LLo0eAF_ZRKyx/s1600/La+Grande+Nouvelle+Jean-Pierre+Brisset+_+horizont+low.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinCs2d6e6INHPlN-OjibCncDQjClFfoaNxMbc5UpMJS8MbvHBmUmI9KLFMVrVit0WDlsPhFHRenGGbWJv3zlR8ukCiPIXfiQbbAEFauQ5kNC6tnOvD045_UMZNZ0GZ823LLo0eAF_ZRKyx/s1600/La+Grande+Nouvelle+Jean-Pierre+Brisset+_+horizont+low.jpg" height="452" width="640" /></a></div>
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<span style="font-size: x-small;"><span style="color: black;"><span style="font-family: Avenir;">Sophie
Bonnet-Pourpet, Gaëlle Choisne, </span></span></span>
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<span style="color: black; font-size: x-small;"><span style="font-family: Avenir;">Ruth
Cornelisse, Mathilde du Sordet, </span></span>
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</span>
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<span style="color: black; font-size: x-small;"><span style="font-family: Avenir;">Théo
Hernandez, Jules Lagrange, </span></span>
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<span style="color: black; font-size: x-small;"><span style="font-family: Avenir;">Octave
Rimbert-Rivière</span></span></div>
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<style type="text/css">P { margin-bottom: 0.21cm; }</style></span><span style="color: black;"><span style="font-family: Times-Roman, Times New Roman, serif;"><span style="font-size: x-small;">Ce
fut la venue du sexe qui causa le développement du langage chez </span></span></span>
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<div align="LEFT" style="line-height: 100%; margin-bottom: 0cm; text-decoration: none;">
<span style="color: black;"><span style="font-family: Times-Roman, Times New Roman, serif;"><span style="font-size: x-small;">les
animaux ancêtres. </span></span></span>
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<span style="color: black;"><span style="font-family: Times-Roman, Times New Roman, serif;"><span style="font-size: x-small;">Le
mot sexe s’est ainsi formé : Ai ? eh ! è. Ai que ? éque ou ec.
Ai que ce ? </span></span></span>
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<span style="color: black;"><span style="font-family: Times-Roman, Times New Roman, serif;"><span style="font-size: x-small;">Exe,
sais que ce ? ce éque-ce, ce exe, sexe. </span></span></span>
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<span style="color: black;"><span style="font-family: Times-Roman, Times New Roman, serif;"><span style="font-size: x-small;">Exe
est un premier nom du sexe, nom qui a perdu sa première valeur ; </span></span></span>
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<span style="color: black;"><span style="font-family: Times-Roman, Times New Roman, serif;"><span style="font-size: x-small;">on
l’emploie pour désigner celui qui a perdu son emploi. </span></span></span>
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<span style="color: black;"><span style="font-family: Times-Roman, Times New Roman, serif;"><span style="font-size: x-small;">On
voit qu’à la venue du sexe, on ne savait ce qu’était cette
exe-croissance, </span></span></span>
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<span style="color: black;"><span style="font-family: Times-Roman, Times New Roman, serif;"><span style="font-size: x-small;">ex-croissance.
Cet exe est un excès. Je ne sais que c’est. Jeune sexe est.</span></span></span></div>
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<br /></div>
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<span style="color: black;"><span style="font-family: Times-Roman, Times New Roman, serif;"><span style="font-size: x-small;"><span style="text-decoration: none;">Jean-Pierre
Brisset, </span></span></span></span><span style="color: black;"><span style="font-family: Times-Italic, serif;"><span style="font-size: x-small;"><i><span style="text-decoration: none;">La
Grande Nouvelle, </span></i></span></span></span><span style="color: black;"><span style="font-family: Times-Roman, Times New Roman, serif;"><span style="font-size: x-small;"><span style="font-style: normal;"><span style="text-decoration: none;">1900</span></span></span></span></span></div>
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<div align="LEFT" style="font-style: normal; margin-bottom: 0cm; text-decoration: none;">
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;"><span style="font-style: normal;"><span style="text-decoration: none;">Expliquer
le choix de </span></span></span><span style="color: black; font-size: x-small;"><i><span style="text-decoration: none;">Brekekex
</span></i></span><span style="color: black; font-size: x-small;"><span style="font-style: normal;"><span style="text-decoration: none;">comme
titre de</span></span> cette
exposition revient à contredire la raison </span></span>
</div>
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"></span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;"><span style="font-style: normal;"><span style="text-decoration: none;"> même
pour laquelle il est apparu pertinent : un terme en-deçà du
langage articulé, un mot sans message, et donc, puisqu’il faut le
dire, une évocation, dans les </span></span></span><span style="color: black; font-size: x-small;"><i><span style="text-decoration: none;">Grenouilles</span></i></span><span style="color: black; font-size: x-small;"><span style="font-style: normal;"><span style="text-decoration: none;">
d’Aristophane, </span></span></span></span>
<span style="font-family: "Trebuchet MS",sans-serif;"></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"></span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;"> du cri des
batraciens. L’opération pour en arriver </span></span>
<span style="font-family: "Trebuchet MS",sans-serif;"></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"></span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;"> là est un
maraboutage de filiations : Duchamp et Foucault admirateurs de
Brisset, le « grand chirurgien sémantique » ;
Brisset lui-même citant Aristophane. Linguiste amateur, illuminé
par la révélation que l’homme descend de la grenouille, Brisset
fit le constat que le langage, hermétique </span></span>
<span style="font-family: "Trebuchet MS",sans-serif;"></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"></span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;"> jeu de
combinaison et de dérivation, est bien l’histoire des hommes, de
leur origine animale, </span></span>
<span style="font-family: "Trebuchet MS",sans-serif;"></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"></span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;"> et de la
sublimation de leurs impulsions. </span></span>
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<div align="LEFT" style="font-style: normal; margin-bottom: 0cm; text-decoration: none;">
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;">Aujourd’hui,
c’est la St.Brekekex, divinité batracienne des origines de la
langue, qui pourrait figurer au calendrier ‘pataphysique.</span></span><span style="font-family: "Trebuchet MS",sans-serif;"></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;"> </span></span></div>
<div align="LEFT" style="font-style: normal; margin-bottom: 0cm; text-decoration: none;">
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;">À une
invitation à évoquer leur rapport à la filiation, à ce qui dans
leur pratique relève </span></span>
<span style="font-family: "Trebuchet MS",sans-serif;"></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;">de
l’influence, de l’héritage des formes, sept artistes répondent
en disposant des autels privés, les reliques de cérémonies idiosyncratiques ; des figures enfouies, des images mystiques
érotisées, des héros de </span></span>
<span style="font-family: "Trebuchet MS",sans-serif;"></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;">série qui
parlent à l’envers. Réponses en </span></span>
<span style="font-family: "Trebuchet MS",sans-serif;"></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;">forme
d’énigmes, mais répliques finalement dignes de l’aporie de la
question posée : </span></span>
<span style="font-family: "Trebuchet MS",sans-serif;"></span>
</div>
<span style="font-family: "Trebuchet MS",sans-serif;"></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;">au poids de
l’histoire se substitue le secret </span></span>
<span style="font-family: "Trebuchet MS",sans-serif;"></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"></span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;">des idoles
crépusculaires.</span></span><span style="font-family: "Trebuchet MS",sans-serif;"></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;">
</span></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: black; font-size: x-small;">Cette
exposition est une collaboration entre le Treize et l’Ecole
nationale supérieure des Beaux-Arts de Lyon, où les artistes
rassemblés ici ont été diplômés.</span></span></div>
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;">
</span></span>
<br />
<div style="margin-bottom: 0cm;">
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><br />Elle
bénéficie du soutien de l’École Nationale Supérieure des Beaux
Arts de Lyon et de la Mairie de Paris.</span></span></div>
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;">
<br /> Vernissage le 14 mars 2015 à 18h.<br /> Du 16 mars au 15 avril 2015. <br /> (Ouvert du mercredi au samedi de 14h à 18h et sur rendez-vous)<br /> <br /> Un catalogue collectif sera publié à l'issu de l'exposition. </span></span><span class="text_exposed_show"><br /> </span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-21275969613779543832015-03-04T16:39:00.002+01:002015-03-04T16:40:35.220+01:00Sweating as distribution / Échanges et dialogues autour des crypto-monnaies / le 6 mars à 18h<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpXXsuL5CLr45ZUHAgNYaVMXtcMLXWL4HJyci_YYXx1jXSdP5EWhYCMZ6UIMh6ZqN9sxCWUy3AL69JvY0JxCsr2VhCmYoxW2PrD7invr_c-Lxq1a2y969dFt75mLAEwCl1_SpRt2YjQ7zX/s1600/Commissariat+Crypto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpXXsuL5CLr45ZUHAgNYaVMXtcMLXWL4HJyci_YYXx1jXSdP5EWhYCMZ6UIMh6ZqN9sxCWUy3AL69JvY0JxCsr2VhCmYoxW2PrD7invr_c-Lxq1a2y969dFt75mLAEwCl1_SpRt2YjQ7zX/s1600/Commissariat+Crypto.jpg" height="224" width="640" /></a></div>
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<span class="s1"><b>Sweating as distribution</b></span></div>
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<span class="s1"><b><i>Échanges et dialogues autour des crypto-monnaies</i></b></span></div>
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<span class="s1"><b>Bar le Mont Dore à côté de chez Treize, 20, rue Moret 18h-20h le 6 mars 2015</b></span></div>
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<span class="s1">Dans le cadre de son invitation par le commissariat, Lætitia Paviani propose à Carl Phelipot de collaborer à la programmation d'une série d'évènements prenant pour point de départ les cryptomonnaies et travaille avec Camilla Wills sur une publication (Love your parasites, coéditée par Paraguay Press) suivie de deux expositions. La réflexion qui naîtra de chaque événement engendrera le sujet du suivant jusqu'au moment d'annoncer et de nommer la première des deux expositions dans le courant du mois d'avril.</span></div>
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<span class="s1"> </span></div>
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<span class="s1">Le Bitcoin investit depuis sa création un vaste champ d'expérimentations où mathématiciens, économistes, philosophes, passionnés de culture geek se retrouvent pour mener une pensée constructive autour de cette monnaie et défendre un nouveau système, un nouveau mode de relations et d'échanges.</span></div>
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<span class="s1">Pour ce premier événement, nos invités seront </span><span class="s2"><b>Adli Takkal Bataille</b></span><span class="s1"> et </span><span class="s2"><b>Yann Moulier-Boutang</b></span><span class="s1">.</span></div>
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<span class="s1">Lancé en 2009 par une ou un groupe de personne(s) anonyme(s) sous le pseudonyme de Satoshi Nakamoto, le bitcoin annonce une expérience d'une forme nouvelle en associant des principes de cryptographie à un réseau d'ordinateurs connectés entre eux. C'est l'émergence des cryptomonnaies. Depuis ce jour, le Bitcoin et ses dérivés se présentent comme une alternative au système bancaire centralisé actuellement en place.</span></div>
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<span class="s1">Ce type de monnaie numérique crée de la valeur sur du rien, a-t-on tendance à penser. Pour autant, depuis l'abandon de la convertibilité en or, les monnaies « fiduciaires » (du latin fiducia, « confiance »), ne reposent que sur une croyance, celle qu'un bout de papier sur lequel on a écrit 10€ vaut « réellement » cette somme. Pour que cette confiance soit effective et que ce bout de papier devienne un moyen d'échange, sa valeur annoncée doit être garantie et imposée par un organisme centralisateur, une autorité reconnue : État, banque centrale, ville, union de commerçants, etc. Un tiers autoritaire.</span></div>
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<span class="s1">Or les cryptomonnaies proposent de réinventer ce rapport en déplaçant confiance et autorité dans un algorithme mathématique soumis à une régulation collective.</span></div>
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<span class="s1">Pour que les transactions de ce nouveau système bancaire soient fiables, le protocole doit se prémunir de tout parasitage et passer par l'écriture de preuves encryptées qui viendront s'inscrire dans un grand livre de compte appelé « blockchain ». S'il était imprimé, ce livre comporterait plus d'un million de feuillet A4 ne devant contenir aucune erreur. Ce niveau d'assurance est garantit par un travail collectif et anonyme de vérification qui désigne toutes les 10 minutes par tirage au sort l'ordinateur d'un individu qui viendra ajouter un nouveau « block », une nouvelle page d'écriture au livre.</span></div>
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<span class="s1">Écritures, autorité et confiance ne semblent plus jouer les mêmes rôles que dans le sacro-saint schéma patriarcal de la finance moderne dont les banques seraient les églises ou les pères. Laisser les banques faire banqueroute comme de simples entreprises ou comme on divorce, laisser tomber la traditionnelle orthodoxie dominante.</span></div>
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<span class="s1">C'est dans ce changement que commence notre réflexion...</span></div>
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Ce premier événement a été imaginé avec la complicité d'Antonio Contador, d'Antoine Dufeu et Damien Le Dévédec, ils participeront également à l'élaboration des suivants.</div>
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Adli Takkal Bataille est étudiant en Lettres Classique et webmaster en free-lance. Cependant, passionné depuis toujours de nouvelles technologies, il était naturel qu'il se penche sur la question des monnaies numériques. Il créé en Juin 2014, après quatre mois de réflexion, le site francophone d’informations sur les monnaies numériques Le Coin Coin. Sa formation littéraire lui permet d’essayer de comprendre les problématiques du Bitcoin à travers les sciences humaines. Il travaille également avec la société de vente de bitcoins en ligne par mandat postal Bitboat. Venant de Saint Emilion il souhaite aussi réussir à établir une passerelle entre le Bitcoin et le vin. </div>
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<span class="s1">Yann Moulier-Boutang est professeur de sciences économiques à l’Université de Technologie de Compiègne et directeur adjoint du Laboratoire Costech. Il enseigne aussi à l’École Supérieure des Arts et du Design de Saint-Étienne. Principaux livres : <i>Althusser une biographie</i> (Grasset, 1992), <i>De l’esclavage au salariat</i> (PUF, 1998), <i>Le capitalisme cognitif</i> (Éditions Amsterdam, 2007), <i>L’abeille et l’économiste</i> (Carnets Nord, 2010). Il est co-directeur de la revue <i>Multitudes</i>.</span> </div>
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<span class="s1">Le commissariat chez Treize est soutenu par la DRAC Ile-de-France.</span><br />
<span class="s1">Treize est soutenu par la Mairie de Paris.</span> </div>
huggyhttp://www.blogger.com/profile/12374276316649866939noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-27537068641789223272015-03-02T15:29:00.000+01:002015-03-02T15:30:23.312+01:00<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl"><br /><br /><br />Projection de<span class="text_exposed_show"> "The Oath" de Laura Poitras (</span></span></span></span><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl"><span class="text_exposed_show">96 minutes, 2010, USA)</span></span></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl"><span class="text_exposed_show">Organisée avec Antoine Thirion - jeudi 5 mars 2015 à 20h30</span></span></span></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="fsl">Laura Poitras est cinéaste et journaliste. Son dernier
film CITIZENFOUR – chronique de sa rencontre avec Edward Snowden et de
sa participation directe aux révélations sur le programme d'espionnage
informatique mis secrètement en place par la NSA, poursuivies depuis au
sein du journal en ligne The Intercept – est le dernier volet d'une
trilogie sur les suites sécuritaires et judiciaires du 11 septembre. <br />
Le second volet, The Oath, part à la rencontre de Nasser al-Bahri,
ancien garde du corps de Ben Laden, tandis que son beau-frère Salim
Hamdan, un temps chauffeur du chef d'Al-Qaïda, est emprisonné et jugé à
Guantanamo dans un procès qui servit à instituer une ahurissante
juridiction d'exception. Une autre histoi<span class="text_exposed_show">re
d'informateur, puisque le serment du titre est celui qu'Al Bahri a
brisé en livrant des informations déterminantes pour l'identification
des auteurs des attentats du 11 septembre, commis alors qu'il était
incarcéré dans une prison yéménite. <br /> Une histoire qui ne consent
toutefois pas au partage des traîtres et des serviteurs zélés, mais
interroge, dans la fréquentation d'un rhéteur au charisme indéniable et
l’observation de la constitution d’une jurisprudence, les mécanismes de
la persuasion. <br /> Alors que CITIZENFOUR, oscar 2015 du meilleur
documentaire, sort en salles le 4 mars, The Oath n'a jamais connu de
distribution en France.</span></span><br /><span class="fsl"><span class="text_exposed_show"><a href="https://textoflight.files.wordpress.com/2007/09/laura-poitras.pdf" rel="nofollow nofollow" target="_blank">https://<wbr></wbr><span class="word_break"></span>textoflight.files.wordpress<wbr></wbr><span class="word_break"></span>.com/2007/09/<wbr></wbr><span class="word_break"></span>laura-poitras.pdf</a></span></span></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-88640977183636173162015-02-27T23:01:00.000+01:002015-02-27T18:32:30.077+01:00Projet Marfa - avec les étudiants des Beaux Arts de Nantes<div>
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">Organisépar: Constance Nouvel, Ida Soulard et Treize<br />
Avec: Alan Affichard, Hellene Aligant, Antonin Gerson, Hannah Montoux-Mie, Mathilda
Nex, Xarli Zurell.
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">Exposition ouverte le 28 février</span></span></div>
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span lang="FR">En plein désert du Chihuahua, à trois heures de route
d’El Paso, Marfa est une petite ville de 1800 habitants. </span>Construite
en 1882 sur le tracé du chemin de fer, bastion des « border patrols »,
camp
d’entraînement pour l’armée de l’air pendant la seconde guerre mondiale,
Donald
Judd s'y installe au début des années 1970 et rachète les bâtiments
militaires alors abandonnés pour y installer ses oeuvres et celles de
ses amis <span lang="FR">(Dan Flavin, Roni Horn, John Chamberlain, Claes
Oldenburg, etc). A sa mort, dans les années 1990, s’installent galeries d’art
contemporain, résidences d’artistes et festivals de films transformant
définitivement la ville en haut lieu de l’art contemporain international. </span></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">Le
travail de Judd à Marfa,
en tant qu’artiste, architecte et designer relève d’une utopie :
travailler l’espace, de l’échelle de l’intime à celle de la
ville. Passer d’une dimension à une autre c’est ouvrir de nouveaux modes
de représentation et de
connaissance. Lorsque l’on change
d’échelle, c’est toute la structure qu’il faut repenser. </span></span></div>
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">Transcription, traduction, codification, partition,
transposition, transformation, métamorphose, transfert… </span></span></div>
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">Partant
de ces dynamiques, au mois d'avril 2015, six étudiants des beaux-arts
de Nantes partiront pour trois semaines à Marfa. Ce séjour aura pour
enjeu l’exploration de ces
passages, de ces moments de glissements et d’articulation, entendus<span style="color: blue;"> </span>comme
la définition possible d’une dynamique
artistique, d’une méthode, à la fois de recherche, de production et
d’exposition. Cette exploration collective se clôturera par une
exposition à Marfa, une exposition retour à Nantes et la production
d'une publication. </span></span></div>
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">En préfiguration de ce
voyage, les étudiants présentent à Treize le samedi 28 février des
oeuvres représentatives de leurs recherches actuelles accompagnées de
leurs projets pour Marfa sous forme de maquettes, dessins, plans, et
textes. Conçue comme une étape intermédiaire, cette journée de workshop
pratique se veut un moment d'accélération et d'intensification de leur
projets individuels grâce aux interventions, tout au long de la journée,
d'artistes, producteurs et commissaires d'exposition qui viendront
réagir à leurs propositions. </span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-49977233664952916722015-02-20T20:00:00.000+01:002015-02-15T22:57:54.019+01:00HIGH WOLF (LIVE) + LOW JACK (DJ SET) + PAL (LIVE) / 19 février 2015<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA4uBiqcgrmP1drr577hrZUpsPcX-78oQ0bq3oaYEWqVjJ6JzHoITe_xm8Y4e7zeUu3doTHgoU8tmcgnxmrHnSeKdF2nWP_Zx6rAXoe2Uqd9xqML_e8OkMlIXAozsjqOvs_D0qasm44rQ/s1600/high+wolf+++low+jack+++pal+2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA4uBiqcgrmP1drr577hrZUpsPcX-78oQ0bq3oaYEWqVjJ6JzHoITe_xm8Y4e7zeUu3doTHgoU8tmcgnxmrHnSeKdF2nWP_Zx6rAXoe2Uqd9xqML_e8OkMlIXAozsjqOvs_D0qasm44rQ/s1600/high+wolf+++low+jack+++pal+2.jpg" height="640" width="449" /></a></div>
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<span class="fsl">HIGH WOLF (LIVE)<br /> LOW JACK (DJ SET)<br /> PAL (LIVE)<br /> <br /> 20:00<span class="text_exposed_show"><br /> 7€</span></span>Gallienhttp://www.blogger.com/profile/02406032169140345589noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-7972347878701125792015-02-20T13:20:00.000+01:002015-02-19T08:45:54.979+01:00TIME TO GET A JOB / live * set * action * objects / 20 février 2015<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUR-IP2vc4CT-sfs5oD7TBIt7-qYO8sY72s4oL1agmUa-HBqfzMYtmeEd4RLv4kBLyyPyrLiJIwhhsGvzC_5nLd6zZ3-k3_H5xeNaNrnc9fK2qdYviWv-421JElCJW1vsEnHmC8Yha3w4/s1600/flyer+Alexandre+Larcier.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUR-IP2vc4CT-sfs5oD7TBIt7-qYO8sY72s4oL1agmUa-HBqfzMYtmeEd4RLv4kBLyyPyrLiJIwhhsGvzC_5nLd6zZ3-k3_H5xeNaNrnc9fK2qdYviWv-421JElCJW1vsEnHmC8Yha3w4/s1600/flyer+Alexandre+Larcier.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUR-IP2vc4CT-sfs5oD7TBIt7-qYO8sY72s4oL1agmUa-HBqfzMYtmeEd4RLv4kBLyyPyrLiJIwhhsGvzC_5nLd6zZ3-k3_H5xeNaNrnc9fK2qdYviWv-421JElCJW1vsEnHmC8Yha3w4/s1600/flyer+Alexandre+Larcier.jpg" height="640" width="452" /></a></div>
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<span class="fsl">AROUNDFUNCTION PRESENT<br /> <br /> <br /> LIVES<br /> Panoptique<br /> Larcier présente<br /> Radiante Pourpre<br /> <br /> SET<br /> Roxanne Griff<br /> <br /> ACTION<span class="text_exposed_show"><br /> Action Ngoc<br /> + Music Malin<br /> <br /> OBJECTS<br /> images / K7<br /> <br /> Gratuit (0 €)<br /> <br /> <a href="http://l.facebook.com/l.php?u=http%3A%2F%2Faroundfunction.net%2F&h=CAQESYxF4&enc=AZPOGJuvXia-TtIe1fN9p-pWGn_vc7Cit3YOUAFRTHkcUKYR7T9YZ7eA_ptyNoo12eM&s=1" rel="nofollow nofollow" target="_blank">http://aroundfunction.net/</a></span></span>Gallienhttp://www.blogger.com/profile/02406032169140345589noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-9964440629145432052015-02-11T13:05:00.000+01:002015-02-14T13:08:09.083+01:00le non_jazz#1102 / 11 février 2015<br />
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<span style="font-family: Times,"Times New Roman",serif;">JEUNE FILLE ORRIBLE</span><br />
<span style="font-family: Times,"Times New Roman",serif;">DI PLACIDO / HINDI</span><br />
<span style="font-family: Times,"Times New Roman",serif;">LOUVET / MOISSONNIER</span><br />
<span style="font-family: Times,"Times New Roman",serif;">EX-PI / UBXXX</span><br />
<span style="font-family: Times,"Times New Roman",serif;"><br /></span>
<span style="font-family: Times,"Times New Roman",serif;">20:30</span><br />
<span style="font-family: Times,"Times New Roman",serif;">6€</span><br />
<span class="fsl"><span class="text_exposed_show"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: xx-small;"><span style="font-family: Times,"Times New Roman",serif;"><span class="_c24 _50f3"><a href="http://nnjzz.tumblr.com/" rel="nofollow me" target="_blank">http://nnjzz.tumblr.com/</a></span></span> </span></span></span></span>Gallienhttp://www.blogger.com/profile/02406032169140345589noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-90320457280467673812015-01-24T11:24:00.000+01:002015-02-03T11:24:40.648+01:00Serendip.lab - 24 jan. 2015<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><br /> </span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuTQQAEg4RAfdx9DoDcGvvTPFnGj0IKzmb9mtlr6M17I9EqB3B5baTwQ4IbX97T5_KDtSHhW_zeNWdcPIDJY1IVqUjBiWtZ_msbaKauCRJIwis-mDZEZYxGTvMqGjnNdf1jbjRUtYfy_Gg/s1600/serendip.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuTQQAEg4RAfdx9DoDcGvvTPFnGj0IKzmb9mtlr6M17I9EqB3B5baTwQ4IbX97T5_KDtSHhW_zeNWdcPIDJY1IVqUjBiWtZ_msbaKauCRJIwis-mDZEZYxGTvMqGjnNdf1jbjRUtYfy_Gg/s1600/serendip.jpg" height="320" width="226" /></a></div>
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">Serendip.lab présente : <br /><br />Jean Bender Lyon / HAK Lofi)<br />DIY noise hardware, circuit bending.<br /><br />Cogne & Foutre (Lyon)<br />Maelstrom audio vidéo analogique<br /><br />Olivier Guillerminet (Paris / Darling Dada)<br />Musique expérimentale digitale et modulaire.<br /><br />A partir de 20h / 3 euros</span></span><br />
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<span style="font-size: x-small;"><a href="http://www.serendip-arts.org/" rel="nofollow me" target="_blank">http://www.serendip-arts.org</a></span></div>
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<span style="font-size: x-small;"><a href="http://serendiplab.bandcamp.com/" rel="nofollow me" target="_blank"><span>http://</span><wbr></wbr><span class="word_break"></span>serendiplab.bandcamp.com</a></span></div>
<span style="font-size: x-small;"> </span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-10770045799158806392014-12-30T14:37:00.000+01:002015-02-03T11:22:13.579+01:00Felicia Atkinson Booklaunch & Music show - 30 dec. 2014<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD-efntQ3YbwjNxtE4OcQYC2bZptipOsJEfgJw-MkO_wxyUMwJv4-oQmir12VAE-SayM3HZkL4uN8IdVtBr2c37pxo64unfm-amgq8nrNb2-bj_wi8elDtdYYNuL-nMSvfwVTU2YEt9FQ/s1600/F%C3%A9licia+Atkinson.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD-efntQ3YbwjNxtE4OcQYC2bZptipOsJEfgJw-MkO_wxyUMwJv4-oQmir12VAE-SayM3HZkL4uN8IdVtBr2c37pxo64unfm-amgq8nrNb2-bj_wi8elDtdYYNuL-nMSvfwVTU2YEt9FQ/s1600/F%C3%A9licia+Atkinson.png" height="640" width="451" /></a></div>
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<span class="fsl"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;">Le 30 décembre 2014 de 19 à 22h, <br /> Présentation /
Lancement / Signature / Concert de Felicia Atkinson à l'occasion de la
sortie de son nouveau livre "Improvising Sculpture As Delayed Fictions"
(Shelter Press). Concert à 20h30.<br /> Entrée gratuite / livre à vendre ! <br /> <br /> December 30th, 2014<br />
Presentation / launch / signing / music show by Felicia Atkinson at the
occasion of the the release of her latest output "Improvising Sculpture
As Delayed Fictions" (Shelter Press). Musicshow at 20.30<br /> Free entrance / book for sale !<br /> <br /> /// LINKS ///<br /> — <a href="http://shelter-press.com/050-Felicia-Atkinson-Improvising-sculpture" rel="nofollow nofollow" target="_blank">http://shelter-press.com/<wbr></wbr>050-Felicia-Atkinson-Improv<wbr></wbr>ising-sculpture</a><br /> — <a href="http://shelter-press.com/felicia-atkinson" rel="nofollow nofollow" target="_blank">http://shelter-press.com/<wbr></wbr>felicia-atkinson</a><br /> — <a href="http://l.facebook.com/l.php?u=http%3A%2F%2Ffeliciaatkinson.com%2F&h=UAQHYGR_R&enc=AZPLcX3HyT2MUQBo510W7rQG_Z_V0EcUc2YOYfvH7iEOHpORzatQqww7gnj3HfFDcrY&s=1" rel="nofollow nofollow" target="_blank">http://<wbr></wbr>feliciaatkinson.com/</a></span></span><span class="text_exposed_show"><br /></span></span>Gallienhttp://www.blogger.com/profile/02406032169140345589noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-30854942309313978582014-12-17T14:17:00.000+01:002015-02-03T11:25:15.032+01:00le non_jazz#1711 / 17 décembre 2014<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHEKkn-XjZp7R5l1WxrWXhF1Y5ylrla3S5oQ0X-pkMq3F2K34Uyc6C2A1aKbkv-lXvpZZEWfYloVClFGmmEoqXdmSypDMVOqnIjY449Fsfbkhzwauhsj5eWauG6MWRfkw0AwVXKofc_xw/s1600/nj+1712.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHEKkn-XjZp7R5l1WxrWXhF1Y5ylrla3S5oQ0X-pkMq3F2K34Uyc6C2A1aKbkv-lXvpZZEWfYloVClFGmmEoqXdmSypDMVOqnIjY449Fsfbkhzwauhsj5eWauG6MWRfkw0AwVXKofc_xw/s1600/nj+1712.jpg" height="400" width="267" /></a></div>
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<span class="fsl"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;">FRANCE SAUVAGE<br /> ERO BABAA<br /> :such:<br /> FEMME<br /> </span></span><span class="text_exposed_show"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><br /> 20:00<br /> 6€</span></span></span></span><br />
<span class="fsl"><span class="text_exposed_show"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;"><span class="_c24 _50f3"><a href="http://nnjzz.tumblr.com/" rel="nofollow me" target="_blank">http://nnjzz.tumblr.com/</a></span> </span></span><br /> <br /> </span></span>Gallienhttp://www.blogger.com/profile/02406032169140345589noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-765265874424185272014-12-02T22:06:00.000+01:002014-12-04T17:11:32.466+01:00La solitude, at Astrup Fearnley Museet in Oslo in "Europe, Europe" - December 4 to January 4<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDSMPX8Y1Hb2jvqrOAgu1_o8ki_x32i0dZZvYnrN_d04jtknTWEG4_SMj9snCa1PoZaGveRPJ5lBEtWOuYzU1S6s2ItCCFOTwwlMVIaYgkKDSdy82HQR6shsIOjr9GURCsY2N6JpvQrhtQ/s1600/Treize_crabe.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDSMPX8Y1Hb2jvqrOAgu1_o8ki_x32i0dZZvYnrN_d04jtknTWEG4_SMj9snCa1PoZaGveRPJ5lBEtWOuYzU1S6s2ItCCFOTwwlMVIaYgkKDSdy82HQR6shsIOjr9GURCsY2N6JpvQrhtQ/s1600/Treize_crabe.jpg" height="320" width="240" /></a></div>
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<a href="http://www.afmuseet.no/en/aktiviteter/2014/desember/treize" rel="nofollow nofollow" style="background-color: white; color: #3b5998; cursor: pointer; line-height: 17.9200000762939px; text-decoration: none;" target="_blank"><span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;">http://www.afmuseet.no/en/<wbr></wbr><span class="word_break" style="display: inline-block;"></span>aktiviteter/2014/desember/<wbr></wbr><span class="word_break" style="display: inline-block;"></span>treize</span></a><br />
<span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;"><br style="background-color: white; color: #141823; line-height: 17.9200000762939px;" /><a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fwww.afmuseet.no%2Fen%2Futstillinger%2F2014%2Feurope-europe&h=hAQFdmkdS&enc=AZNuuqDCWgwe63DAFlf5D-9qCwQUHc9oFdJNB6ns8vnH8ux23F5IMeakG4rAiKQtdaQ&s=1" rel="nofollow nofollow" style="background-color: white; color: #3b5998; cursor: pointer; line-height: 17.9200000762939px; text-decoration: none;" target="_blank">http://www.afmuseet.no/en/<wbr></wbr><span class="word_break" style="display: inline-block;"></span>utstillinger/2014/<wbr></wbr><span class="word_break" style="display: inline-block;"></span>europe-europe</a><br style="background-color: white; color: #141823; line-height: 17.9200000762939px;" /><br style="background-color: white; color: #141823; line-height: 17.9200000762939px;" /><span style="background-color: white; color: #141823; line-height: 17.9200000762939px;">"La solitude" by Treize</span><br style="background-color: white; color: #141823; line-height: 17.9200000762939px;" /><span style="background-color: white; color: #141823; line-height: 17.9200000762939px;">With Jean-Marie Appriou, Nina Childress, Mathis Collins, Benjamin Crotty & Nour Mobarak, Arnaud & Bertrand Dezoteux, Jason Glasser, Sheila Hicks, Matthieu Palud, Nicolas Roggy and Matrix Killings.</span></span><br />
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<span style="color: black; font-family: Trebuchet MS, sans-serif; font-size: x-small;">Depuis la création du Treize, nous avons fait de nombreuses réunions. Souvent interminables, rares sont celles qui se conclurent par des décisions ou des intentions collectives très limpides. Un point, cependant, a toujours fait consensus : Treize ne s'envisage pas comme l'outil de promotion d'une scène artistique spécifique. Nous en serions bien incapable. S'il fallait en résumer l'activité, nous dirions que Treize est un mélange d'investissement créatif à perte, d'amateurisme structurel et de questionnement sur la responsabilité d'une forme ou d'un geste vis-à-vis de son contexte d'émergence.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;">À cet égard, ce qui nous a d'abord
intéressé dans cette invitation à participer au projet Europe,
Europe, c'était d'y répondre en travaillant sur les conditions
d'énonciation d'une scène locale. Nos premières conversations
eurent lieu avec des artistes américains installés à Paris. Que
représentait pour eux, venant d'une territoire symbolisant
l'impérialisme culturel, le fait de s'implanter dans une capitale
dont la bohème est devenue depuis bien longtemps un agrément
touristique, le décor stéréotypé d'une scène artistique
révolue ? L'exposition joue imperceptiblement d'une certaine
mythologie romantique – celle, notamment, de « l'Américain à
Paris », qu'elle met en tension avec des contrepoints prélevés
dans la pratique des artistes exposés : la périphérie, l'exil
et la solitude.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;">À travers cette exposition, nous
souhaitions également évoquer le Treize et la communauté qu'il
tente de fédérer autour de lui, au fil des projets qu'il organise.
Comment parler de nous-mêmes sans tomber, cette fois, dans
l'autopromotion ? Nous avons répondu à cette question en
décidant de concevoir cette invitation extérieure non pas comme une
rétrospective de nos activités mais plutôt comme un moyen de
réfléchir avec les artistes à la programmation à venir du Treize
durant l'année 2015. Une « protospective », en quelque
sorte. C'est-à-dire une exposition qui ne se conçoit pas comme
l'aboutissement de quelque chose mais comme le désir et la promesse
de collaborations futures. Chaque œuvres de l'exposition annonce un
événement qui se produira chez Treize dans les prochains mois –
ce qui explique, pour certains de ces objets, une allure de teaser,
un état d’inachèvement, ou d'absence.</span><br />
<span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;"><br /></span>
<span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;">Astrup Fearnley Museum à Oslo, Norvège</span><br />
<span style="font-family: Trebuchet MS, sans-serif; font-size: x-small;"><br /></span>
<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;">Treize reçoit le soutien de la Mairie de Paris</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-35551900024947293702014-11-11T14:13:00.000+01:002015-02-03T11:25:28.581+01:00le non_jazz#1112 / 11 novembre 2014<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKLYIOWhbRmHbkdt4-2iC_GE42axRps0zwLArV6p4yHKMT8dy0AMF3P-nlevkaw6yYExTUUr32nCEBh-LbetR7_h5RwM9c0AIHVKbn7WKmSIezaAw5D5iEOGn4nEdEMTGlprWdUGVQDj0/s1600/nj+1112.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKLYIOWhbRmHbkdt4-2iC_GE42axRps0zwLArV6p4yHKMT8dy0AMF3P-nlevkaw6yYExTUUr32nCEBh-LbetR7_h5RwM9c0AIHVKbn7WKmSIezaAw5D5iEOGn4nEdEMTGlprWdUGVQDj0/s1600/nj+1112.jpg" height="400" width="285" /></a></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"><span class="fsl" style="font-size: x-small;">MONOPOLY CHILD STAR SEARCHERS/us<br /> LIEVEN MOANA/DOLPHINS INTO THE FUTURE/be<br /> FLESH WORLD/fr<br /> BLACK LAGOYA/fr<br /> <span class="text_exposed_show"><br /> 20:00<br /> 6€</span></span></span><br />
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<span class="fsl"><span class="text_exposed_show"><span style="font-family: "Trebuchet MS",sans-serif;"><span class="fsl" style="font-size: x-small;"><span class="text_exposed_show">Fly ::CL<br /> <br /> <a href="http://nnjzz.tumblr.com/" rel="nofollow nofollow" target="_blank">http://nnjzz.tumblr.com/</a></span></span></span> </span></span>Gallienhttp://www.blogger.com/profile/02406032169140345589noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-30594704994863031612014-10-23T19:03:00.000+02:002015-02-03T11:26:24.428+01:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhofU7DJILj9ZeHOjr_t3t6lTAfDPokYKWOIDdV9gx2zprv5jaFZxzr4dGxEyqXeiZ-Cbi14TUlq9XTM4F9o7IG9IFOuRt5-vQ1Lrx_MGB1E6ajPOjsJ5UlgKLU293Hv5oJpkiF3B_Wy5w/s1600/Photo15_17.jpg" height="640" width="424" /></div>
<h3 class="post-title entry-title" itemprop="name" style="background-color: white; font-family: Vollkorn; font-size: 12px; font-stretch: normal; font-weight: normal; margin: 0.75em 0px 0px; position: relative; text-align: justify;">
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: xx-small; line-height: 1.4;">WH</span></span><span class="s1" style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 1.4;">A</span><span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: xx-small; line-height: 1.4;">TS</span></span><span class="s2" style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 1.4;"> </span><span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: xx-small; line-height: 1.4;">THE</span></span><span class="s3" style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 1.4;"> </span><span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: xx-small; line-height: 1.4;">SONG</span></span><span class="s4" style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 1.4;"> </span><span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: xx-small; line-height: 1.4;">TH</span></span><span class="s1" style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 1.4;">A</span><span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: xx-small; line-height: 1.4;">T</span></span><span class="s5" style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 1.4;"> </span><span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: xx-small; line-height: 1.4;">GOES</span></span><span class="s2" style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 1.4;"> </span><span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: xx-small; line-height: 1.4;">OOO.</span></span><span class="s6" style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 1.4;"> </span><span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: xx-small; line-height: 1.4;">OH </span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: xx-small; line-height: 1.4;">de</span></span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 1.4;"><span class="s8"> </span></span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 12.6000003814697px;">Laurie</span><span class="s13" style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 12.6000003814697px;"> </span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 12.6000003814697px;">Charles et</span><span class="s2" style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 12.6000003814697px;"> </span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 12.6000003814697px;">Carl</span><span class="s8" style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 12.6000003814697px;"> </span><span class="s11" style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 12.6000003814697px;">P</span><span style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 12.6000003814697px;">alm.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: xx-small; line-height: 12.6000003814697px;">Une exposition du commissariat chez Treize</span></span></div>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small; line-height: 1.4;">Du 18 octobre au 1 novembre 2014</span><span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: xx-small; line-height: 12.6000003814697px;"><br /></span></span></h3>
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<span style="font-family: 'Trebuchet MS', sans-serif; font-size: xx-small;">Partners: DRAC Île de France, Komplot, Brussels (BE), Baltic Art Center, Visby (SE), Treize et Le Commissariat, Paris (FR).</span></div>
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Mathishttp://www.blogger.com/profile/14906622950754673778noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-87248511588001635242014-09-20T14:02:00.000+02:002015-02-03T11:25:40.645+01:00le non_jazz # 2009 / 20 septembre 2014<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5lA4M3TQHeUmqYrJTl8MnsuNkEA43YTJD1HItKMNT15IhtOCHfZBtXQ1NiVE7oDkDyH9MKufRwn3UTfOpfGwkfwzvwSj2MsOvHsbnvaSRiO7EeGWLZWD9TtZY8EE7LRzWt8Qyph6o3NI/s1600/n_j+2009.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5lA4M3TQHeUmqYrJTl8MnsuNkEA43YTJD1HItKMNT15IhtOCHfZBtXQ1NiVE7oDkDyH9MKufRwn3UTfOpfGwkfwzvwSj2MsOvHsbnvaSRiO7EeGWLZWD9TtZY8EE7LRzWt8Qyph6o3NI/s1600/n_j+2009.jpg" height="400" width="310" /></a></div>
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<span class="fsl"><span class="text_exposed_show"><span style="font-family: "Trebuchet MS",sans-serif;"><span class="fsl" style="font-size: x-small;"><span class="text_exposed_show">Fly::CL<br /> <br /> <a href="http://nnjzz.tumblr.com/" rel="nofollow nofollow" target="_blank">http://nnjzz.tumblr.com/</a></span></span></span> </span></span>Gallienhttp://www.blogger.com/profile/02406032169140345589noreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-53347389489410657772014-09-16T12:04:00.000+02:002015-02-03T11:27:06.405+01:00Programmation du 11 septembre au 4 octobre 2014<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSqfYq4HhQ5oVvKO_G-ZeqscBz-M3vue75A1m2ptQ9oglNXQtSBoLSI7UF-Q7OMCpfnofdCiu2L1uv_agCAMMHDcc1h63j36zLLmYmIwJ87oPxCgKPTwqOX-SiqVi2bRazEh7NmSaZn-hJ/s1600/cantinetransept_dpkb.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSqfYq4HhQ5oVvKO_G-ZeqscBz-M3vue75A1m2ptQ9oglNXQtSBoLSI7UF-Q7OMCpfnofdCiu2L1uv_agCAMMHDcc1h63j36zLLmYmIwJ87oPxCgKPTwqOX-SiqVi2bRazEh7NmSaZn-hJ/s1600/cantinetransept_dpkb.jpg" height="295" width="400" /></a></div>
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<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;"><b>Benjamin Klintoe / Dan Perez<br />Julie Joubert<br />Amandine Faynot<br />Aude Boissonnas<br />Mohamed Bourouissa<br />Laure Cottin<br />Barbara Ryckwaert<br />Clément Le Penven<br />Lahouari Mohammed Bakir<br />Clarisse Hahn</b></span><br />
<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;"><br /><span style="color: #141823;"><span style="line-height: 17.9200000762939px;">Le détail de ce programme sera mis à jour régulièrement sur <a href="https://www.facebook.com/events/1461362257475082/?ref_notif_type=plan_user_joined&source=1" style="color: #1155cc;" target="_blank">la page facebook de l’événement.</a></span></span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;">Avec la participation de l'Ecole nationale supérieure des Arts Décoratifs de Paris, et l'aide du <a href="http://www.ensad.fr/10-secteurs/photo-video/photo-video-enseignement" style="color: #1155cc;" target="_blank">secteur photo-vidéo de l'ensad</a>.</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-7572139397691561985.post-79843858528632846852014-08-31T11:49:00.004+02:002015-02-03T11:26:15.702+01:00le non_Jazz#0909 - 9 septembre 2014<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJoOEFS2W1IRI-pv70VhPRcu2HinjoFE5Bccp_OLjFKn7sJiLbZg6uoci0rxXyISq_vT7cRbkPZqnx-cpHrjJ_5n-1MXKcq81IfuR9EM1WeDQoTT6SqYUgNuWICnylM5f-OBNhnZwJQsdx/s1600/10615529_10152473966313183_481244618281602070_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJoOEFS2W1IRI-pv70VhPRcu2HinjoFE5Bccp_OLjFKn7sJiLbZg6uoci0rxXyISq_vT7cRbkPZqnx-cpHrjJ_5n-1MXKcq81IfuR9EM1WeDQoTT6SqYUgNuWICnylM5f-OBNhnZwJQsdx/s1600/10615529_10152473966313183_481244618281602070_n.jpg" height="400" width="282" /></a></div>
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<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;"><span style="background-color: white; color: #141823; line-height: 17px;">HUMAN HEADS/uk</span><br style="background-color: white; color: #141823; line-height: 17px;" /><span style="background-color: white; color: #141823; line-height: 17px;">KELLY JAYNE JONES/uk</span><br style="background-color: white; color: #141823; line-height: 17px;" /><span style="background-color: white; color: #141823; line-height: 17px;">GOLEM MECANIQUE/fr</span><br style="background-color: white; color: #141823; line-height: 17px;" /><span style="background-color: white; color: #141823; line-height: 17px;">NOW CUT/fr</span></span><br />
<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;">september 9, at Treize<br /><span style="background-color: white; color: #141823; line-height: 17px;">20:00</span><br style="background-color: white; color: #141823; line-height: 17px;" /><span style="background-color: white; color: #141823; line-height: 17px;">6€</span><a href="http://nowcut.bandcamp.com/album/nowcut-emmanuel-mieville" rel="nofollow nofollow" style="background-color: white; color: #3b5998; cursor: pointer; line-height: 17px; text-decoration: none;" target="_blank"></a><br style="background-color: white; color: #141823; line-height: 17px;" /><br />details : https://www.facebook.com/events/607662516015466/</span><br />
<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;"><br /><span style="background-color: white; color: #141823; line-height: 17px;">Fly::CL</span></span><br />
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<span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;">le non_Jazz</span><span style="font-family: Trebuchet MS, sans-serif; font-size: xx-small;"><br style="background-color: white; color: #141823; line-height: 17px;" /><a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fnnjzz.tumblr.com%2F&h=8AQFD9xtd&enc=AZNdOzSGeh3hS1S3qV-fKE62EZSaE1oEFj9J5sD0EoEHeNVayRqCiD8SCJ_OwHvsUt8&s=1" rel="nofollow nofollow" style="background-color: white; color: #3b5998; cursor: pointer; line-height: 17px; text-decoration: none;" target="_blank">http://nnjzz.tumblr.com/</a></span>Unknownnoreply@blogger.com0